Unknown Mortal Orchestra - Unknown Mortal Orchestra (2011) Review
Unknown Mortal Orchestra (UMO) is a psychedelic/indie rock band from New Zealand. The main members of the band are Ruban Nielson and Jacob Portrait, and they do a great job of reinventing old sounds. Their 2011 self-titled debut album is a quirky classic that holds up very well.
“Ffunny Ffriends” is the opening track and it is a charming lo-fi gem that establishes a psych-pop direction. The vocals have a nostalgic aspect to them and it is reminiscent of songs from the 40s or early 50s. It’s a great opener with a whimsical quality.
“Bicycle” is a zany track that brings up some sounds that sound a bit like what King Gizzard & The Lizard Wizard would eventually do on “Quarters” in 2015. The chorus isn’t my favorite on the album but the verses are great. “Thought Ballune” takes the album to a warped and distorted version of ‘60s pop. The melody is simple and catchy. This song is a refreshing take on a sound that has been done a million times.
“Jello and Juggernauts” starts with some fun and playful guitar work. The tone of the song is chill and the beat almost sounds like it could be hip-hop inspired. The song has a smooth flow and showcases UMO’s ability to create a laid-back atmosphere.
“How Can U Luv Me” is one of the standout tracks on the album. The instrumental breaks in the middle of the song and at the end elevate the song for me, especially when the bass takes center stage. Great song.
“Nerve Damage!” introduces insanely warped and interesting guitar effects, possibly a warped wah-wah. I know Nielson likes messing with pedals and making his own so this song showcases that skill. The song overall sort of sounds like something Ariel Pink would release. I enjoy this one, it’s so catchy. “Little Blu House” may be my least favorite on the album. It’s not a bad song, however, I’ve always felt like it was incomplete and it could’ve done a little more.
“Strangers are Strange” is another track that is reminiscent of Ariel Pink and R. Stevie Moore. The lyrics maintain that tongue-in-cheek, sarcastic quality that runs throughout the album. It’s a playful track that fits well in the album.
The legend, R. Stevie Moore.
“Boy Witch” is the final song on the album and it takes a bit of inspiration from the 50s and early ‘60s surf rock, but adds a bit of modulation and warping. It’s an interesting song, providing a twist to a well-known sound that serves as a good way to send off the album.
It is absolutely criminal that “Cyrus’ Theme” isn’t on streaming anymore. This is an instrumental b-side to the album that deserves a mention. The guitar riff is so damn good and this song deserves more appreciation.
Unknown Mortal Orchestra’s debut album is a quirky, charming, lo-fi classic. This album serves as a showcase of nostalgic, warpy, modulated pop. Everyone should check out this album especially since it’s only 30 mins long.
7/10 - Good